THE BASIC PRINCIPLES OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are often craving romantics, with this particular variance: Buster appears to be a plausible mate, as well as the Tramp hardly seems to have a libido, only idealized notions. If their comedies were designed in a more liberated time, it can be done to imagine Keaton in mattress with a woman, but disquieting to consider the Tramp like a sexual c